David Crane

Straight lines and grandiose schemes — Napoleon the gardener

Ruth Scurr approaches Bonaparte from an entirely novel angle — as a man obsessed with manipulating nature

‘The Gardener of St Helena’ (French school, 19th century). The exiled Napoleon, reduced to the Lilliputian ‘empire’ of the Longwood estate, still thinks in straight lines. Credit: Bridgeman Images 
issue 08 May 2021

On 1 January 1806, a little over one year after his coronation, the Emperor Napoleon ordered the abolition of France’s new republican calendar and a return to the old Gregorian model. Over the past seven years republicans had grown used to ‘empire creep’, but even for those who had been forced to watch the principles of the revolution dismantled one by one and a republican general metamorphose into Emperor of the French, this last insult carried a peculiarly symbolic charge.

For all its engaging dottiness — each new year, coinciding with the autumnal equinox, would begin on a different date — the short-lived republican calendar had embodied some of the most attractive and fragile dreams of the revolution. Instituted in 1793 and backdated to the founding of the republic, it represented not just a break with a calendar ‘soiled on every page with the prejudices and falsehoods of the throne and the church’, but a recognition and celebration of man’s place in the natural world.

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