Melanie McDonagh Melanie McDonagh

Stimulating little exhibition: Scent and the Art of the pre-Raphaelites reviewed

The pre-Raphaelites seem to have had a thing for smells

Left: ‘A Saint of the Eastern Church’, 1868, by Simeon Solomon. Right: ‘Medea’, 1889, by Evelyn de Morgan  
issue 23 November 2024

Scent and the Art of the pre-Raphaelites… there’s an obvious problem here: how do you represent one sense by another? Synesthesia is a neurological condition whereby some people do just that: they experience colour when they hear music, or taste words – think of the Revd Sydney Smith describing heaven as eating foie gras to the sound of trumpets. There may come a time when we get all-enveloping sensory effects when we look at paintings – an exhibition on medieval women at the British Library uses the stink of sulphur to suggest Julian of Norwich’s vision of hell and strawberry and honey for Margery Kempe’s scent of angels – but still the most obvious way of representing scent visually is by painting things that smell. And that’s the idea behind this stimulating little exhibition at the Barber Institute of Fine Arts in Birmingham.

The only clue to her unpleasant intentions is a phial of liquid, tinged violet: sniffing it would do you no good

It’s just 11 paintings and they represent a spectrum of scent, not just flowers but less agreeable sorts too.

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