The basement galleries of the Sainsbury Wing are darker than ever for this intriguing redisplay of some of the oldest paintings in the National Gallery. The atmosphere attempts to recreate the penumbral gloom of church and chapel in which these paintings were originally to be seen, before impoverished religious foundations flogged them to dealers and collectors. Nearly all these pictures come from the NG’s permanent collection, but it is always revealing to see things exhibited in new ways, and this exhibition is no exception.
For a change, it focuses our attention on the nuts and bolts of altarpieces — how they were commissioned, constructed, framed, positioned — and in so doing sheds much light on them as devotional objects. This approach, however, has little to add to the aesthetic appreciation or understanding of the works on display. Happily, there are some beautiful paintings among the demonstration pieces.
The real eye-catcher in Room 1 is Sassetta’s ‘Funeral of St Francis’ (1437–44), painted in egg tempera on poplar panel.
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