Spellbound

Jonas Kaufmann’s ascent to the position of the leading German lyric-dramatic tenor has been surprisingly gradual. I first saw him in Edinburgh in 2001, giving a Lieder recital in the Queen’s Hall, and was immediately astonished that I hadn’t heard of him before. For the next few years, I heard him there in more recitals, and in concert performances of Der Freischütz, Capriccio and culminating as Walther in Die Meistersinger in 2006.

TRY 3 MONTHS FOR $5

Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in