Kate Chisholm

Speed limit | 19 October 2017

Plus: why is musical memory the last to go?

issue 21 October 2017

Slow radio is popping up everywhere at the moment — programmes that have no outward form but just meander through the schedule, and often, but not always, are played out live in real time. In spite of their spontaneous feel and free flow these programmes have usually been carefully orchestrated, and that’s part of slow radio’s appeal: crafted to sound like life itself, impressionistic, en plein air, long-running. It’s not to everyone’s taste — too slow, too redolent of nostalgia for a mystical past where there was once time and space to think. Who wants to follow Horatio Clare’s every footfall as he tramps for ten miles along Offa’s Dyke (as happened on Radio 3 in the spring)? What possible benefit can be had from listening to others experiencing that precious peace we feel ourselves to be without?

In fact, there’s nothing particularly new about slow radio apart from the recognition that such a genre exists.

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