In Competition No. 3252, you were invited to write a letter of condolence on the mis-fortune of an acquaintance which, intentionally or not, would have the effect of lowering rather than raising the spirits.
An example of how not to write a condolence letter, according to New York-based funeral director Amy Cunningham, was Nancy Mitford’s upbeat ending to a letter to her cousin, who had just lost her husband: ‘It’s nice that Decca is coming over for a long visit. Why don’t you come to Versailles with her – I would put her in a hotel and you could stay with me. Think of it.’ It doesn’t seem all that bad to me, but those looking for inspiration on how to craft the perfectly pitched expression of sympathy should, Cunningham said, turn instead to sad, sweet Emily Dickinson.
Honourable mentions to Lydia Tyler, Sue Pickard and Ben Hale; £25 each to the best of a mischievous bunch, printed below.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in