In Competition 3355 you were invited to write a romantic poem that did its best to gloss over something unlovely. I think I imagined odes to beautiful sewage-filled rivers and so on, but should have phrased the challenge more clearly, since many understandably decided a love poem was in order. Either way there was much to enjoy. Among the paeans of praise were hints at a jarring laugh, huge pimple, jug ears, body odour – and much worse.
I liked Elizabeth Kay’s poem detailing a beloved’s snores but it was disqualified for putting the snoring to the fore (‘The distinctive call of an eider duck/ Plus the sound of an airbed deflating/ Or the distant growl of the M25/ Then the huffing of two hedgehogs mating’). Also deserving of a mention: Lettice Buxton’s account of an incident that revealed Frank’s unsympathetic side; and Sue Pickard’s of romance in the face of bad breath (‘Do not think me aloof when I come to call/ For if I sit far enough away/ I hardly notice your halitosis at all’). The entries below reflect the wide-ranging interpretations and each win £25.
Beloved, it’s not money I desire,
Your cheap sheets are as fine to me as silk,
You warm me so we never need a fire,
We need no cream when I prefer skim milk.
Your frugal ways don’t show in your embraces,
It doesn’t cost us much to stay in bed –
I never cared for living in showplaces,
You need not haggle for a bigger shed.
Your power-saving plans are so inventive,
So dashing, manly, reckless, captivating,
That timer in the shower – so attentive!
It gives me such a frisson when we’re mating.
My darling, ravish me with thrifty passion,
This interlude will be the first of many,
And love is free, it’s not a thing you ration,
So hold me like I am your final penny.

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