Deborah Ross

Soapy and second-rate

If this portrait of the greatest writer of any age were to be believed, Shakespeare was a walking cliché – as well as a bit of a moron

issue 09 February 2019

All Is True is Kenneth Branagh’s biopic of Shakespeare’s last years and All Is Not Very True, apparently, which we could live with, but All Is Not Very Interesting either, which is harder to endure, particularly at the midway point when you feel a nice doze coming on. I don’t get it. I mean, if you are going to conjecture, why not conjecture inventively as they did, say, with Shakespeare in Love? If you’re going to soar freely into the realm of imaginings, soar high! But this is leaden, lifeless, sentimental and afflicted by too many sub-plots that just don’t go anywhere. Also, if this portrait of the greatest writer of any age were to be believed, he was a walking cliché. As well as a bit of a moron.

Written by Ben Elton, who also writes the Shakespeare TV sitcom Upstart Crow, this is directed by Branagh, who stars as the Bard, wearing a prosthetic nose that may be even more distracting than Margot Robbie’s in Mary Queen of Scots, which is saying something.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in