Lloyd Evans Lloyd Evans

So good and so raw that avoiding it might be the wisest course: Sea Wall reviewed

Plus: is The Winter’s Tale the most sexist play ever written?

If you didn’t know Andrew Scott was a performer you might assume you’d stumbled on a video blog by an anguished parent: Sea Wall by Simon Stephens 
issue 06 June 2020

Sea Wall, by Simon Stephens, is a half-hour monologue about grief performed by Andrew Scott. The YouTube clip has been viewed more than 250,000 times. The habitual quirks and irritants of Stephens’s writing are all here: the inept jokes, the laddish swearing, the fascination with 1970s pop, the preference for males over females and the improbable back stories of the characters.


The narrator is an Irish cameraman who earns money photographing ‘cushions and digital alarm clocks’ for shopping catalogues. He tells us a bit about his wife and daughter (‘she was a Caesarean’), but he’s far more interested in his father-in-law, Arthur, a scuba-diving maths teacher who retired from the British army with the rank of lieutenant-colonel. Arthur lives in the south of France where the family spend their summer holidays. ‘We watched an unusual amount of tennis together.’ The narrator remembers how his daughter screamed ‘like the living shit’ when she first encountered Arthur but later she came to relish his company.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in