Is there anything more depressing than the prospect of reading a writer’s collected essays, journalism and occasional pieces? Most of it is sheer dross, the work of the left hand, written under the cosh in double-quick time and for easy money. There are of course exceptions: Orwell, though even then you have to wade through a terrible lot of dreck; the late, great, much-missed Gilbert Adair; the New Yorker’s ever-so-sweet E.B. White; the definitive bouncing Czech Karel Capek (whose journalism was translated into English some years ago, published as Believe in People); and Marianne Moore, whose reviews are almost as astonishing as her poetry.
In her introduction to See What Can Be Done, Lorrie Moore, the much lauded American short story writer and novelist, expresses doubts about the value of the enterprise:
Essays, reviews, occasional meditations are all included here. Whether there is really a reason to round them up, even selectively, is a question I can’t answer.
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