Michael Tanner

Small wonders

Pagliacci was powerfully performed and conducted, while Ravel’s L’enfant et les sortilèges was both charming and moving

issue 23 September 2017

It has been a reasonably good week for peripatetic opera-loving female-underwear fetishists. In La bohème at Covent Garden Musetta slipped out of her knickers and swung them round, as everyone, except me, mentioned in their reviews; and now, in Leeds, in the first of Opera North’s ‘Little Greats’, what laughter the actors in the drama got was from Tonio and others trying on Nedda’s bra.

This new production of Pagliacci by Charles Edwards, sadly under-attended, was possibly too ingenious. It is set in a rehearsal room, and we see the first day of rehearsals and then the final run-through. It kind of works, but anyone unfamiliar with the opera would have found it mysterious, and some of the time I felt I was on shifting sands. Still, the central thrust of this sole real masterpiece of verismo hit one powerfully, from the superbly delivered prologue by the Tonio of Richard Burkhard to the final despairing cry that the comedy is over.

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