Small is beautiful | 12 November 2005

The British, publishers and booksellers regularly tell us, have an antipathy to the short story; they respond unfavourably to even a well-known writer coming up with a collection, and for an emergent one to devote creative energy principally to the medium would be regarded as literary suicide. And this despite determined efforts by certain key literary editors, competition-setters and indeed the South Bank itself to keep the art-form alive. Elsewhere the short story is differently regarded. In the English-speaking world, Ireland, the American South, and, thanks to Raymond Carver and Tobias Wolff, the Pacific North-West of the US have long exhibited short stories as supreme expressions of their culture’s genius. In Norway too, Harald Bache-Wiig tells us, in his introduction to this rich and rewarding anthology, the genre enjoys the very highest standing, and major talents (such as Kjell Askildsen, Bj