Diana Hendry

Small but perfect: So Late in the Day by Claire Keegan reviewed

The author once takes a big issue and, with her characteristic quiet brilliance, illuminates it in a small homely setting

Catherine Clinch in The Quiet Girl, an Irish-language film adaptation of Claire Keegan’s novella Foster. [Alamy] 
issue 16 September 2023

In an email from Claire Keegan’s Fiction Clinic, I learned that she’d be delivering three seminars in Wexford on ‘How Fiction Works’, while down the road, at the Write by the Sea Festival, Faber would be launching her new hardback. I was excited. I’m a Keegan fan. I even considered going to Wexford.

Keegan’s method is to take a big issue and then put a small, homely example under the microscope

So I was a little miffed when the hardback turned out to be a large-print 47-page story. Faber has been publishing short stories in small pleasing paperbacks, modestly priced (£3.50) for years. It did Keegan’s The Forester’s Daughter in this way. Usually the stories are not new but reprints from larger collections. Well, maybe new equals hardback equals £8.99. Phooey! Also disconcerting is that the first publication of this story, written in English, was as a French translation. (Misogynie, Sabine Wespieser, 2022.)

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