That was all right,’ said my husband after listening to Paul Scofield read the whole of ‘The Wreck of the Deutschland’ on Poetry Please. I hope they are not going to axe Poetry Please as part of Radio 4’s improvements. It’s the sort of thing that happens after 33 years of success.
We have grown so used to the verbal innovations of Gerard Manley Hopkins that the surely derivative language of Dylan Thomas sounds merely playful. In Under Milk Wood, Thomas nods in one place to two phrases from ‘The Wreck of the Deutschland’. Hopkins’s ‘the sea flint-flake, black-backed’ and ‘lush-kept plush-capped sloe’ together help to produce Thomas’s ‘sloeblack, slow, black, crowblack, fishingboat-bobbing sea’. Dylan Thomas’s sea is one that would float a toy Noah’s Ark, a ‘black, dab-filled sea’, not Hopkins’s ‘widow-making unchilding unfathering deeps’.
Another phrase in Under Milk Wood echoes a dark passage in Hopkins: jollyrogered sea evokes the rash smart sloggering brine.
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