Deborah Ross

Sisters are doing it for themselves

This all-female remake isn’t knowing or witty or sly or self-aware and it doesn’t have fun with stereotypes

issue 16 June 2018

Ocean’s 8 is the all-female spin-off of the all-male Ocean’s trilogy and it’s a sop, with a third act that drags like nothing on earth. But its success — it earned an estimated $41.5 million during its opening weekend, which is better than any of the male versions — shows the market isn’t that bothered by content, which is equality of a kind. Women can now make dull formulaic franchise films too! Hurrah! We’ve arrived! And we can do this rubbish for ourselves now!

The film is a straight-up-and-down remake, where the gender swap may, in fact, be the best idea, possibly because it’s the only idea. (The Ghostbusters remake did it first anyhow.) It does not subvert the heist-caper genre in any way but instead follows the formula slavishly. The film opens with Debbie Ocean (Sandra Bullock), sister of con man Danny Ocean, being released from prison after a five-year stretch with, I couldn’t help but note, perfect hair and make-up.

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