Lloyd Evans Lloyd Evans

Simon Cowell’s latest attempt at global domination

Harry Hill’s musical send-up of X Factor I Can’t Sing! deserves to run and run, but Soho Theatre’s Bitch Boxer will pain your inner feminist

An upmarket panto with top-quality jokes and strong tunes: Jordy, Simon and Louis [Getty Images/Shutterstock/iStock/Alamy] 
issue 05 April 2014

I Can’t Sing! is a parody of The X Factor, which already parodies itself at every turn. Quite a tough call. The heroine is an oppressed no-hoper stuck in a tiny caravan under the Westway with her crippled dad who lives in an iron lung. She longs for a chance to win stardom and wealth on a TV talent show. So this is the Cinderella story with a lot of grotesque and absurd modern detailing. Is it good? No. It’s spectacularly brilliant.

A hit musical needs to get everything right and this one does just that. The sets are lavish and sumptuous. The costumes are razor-sharp parodies of underclass loser-wear. The title song has a soaring climax that tugs at the heart-strings and fills the spirit with strange and unexpected yearnings. Some reviewers have found the show cruel. I disagree. One of the wannabe singers is a hunchback, whose distended vertebrae have hardened into a ridge as large as a pedal bin.

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