Joel Morris

Should vintage comedy be judged by today’s standards?

David Stubbs takes exception to racist jokes in Fawlty Towers – but comedy depends on the assumptions of the time, and precognition is no use

Basil Fawlty and Major Gowen in the Fawlty Towers episode ‘Communication Problems’. [Getty Images] 
issue 22 July 2023

The British sense of humour is a source of power, soft and otherwise. The anthropologist Kate Fox observed that our national motto should be ‘Oh, come off it’, and a patriotic raised eyebrow has been cited as our chief defence against demagogues. We see ourselves through a comic lens, a nation of Delboys and Mainwarings, Brents and Leadbetters, Gavins and Staceys.

But despite comedy being as central to British culture as music, books on it have few equivalents to Jon Savage’s England’s Dreaming (on punk), Rob Young’s Electric Eden (folk rock) or Simon Reynolds’s Energy Flash (rave). A nice fat volume about our national comic self-image by an astute music writer is exactly what the funny business needs. Comedy may not be the new rock and roll, but perhaps we should write and think about it in the same way.

Dudley Moore sits down at a Bösendorfer piano and his Dagenham roots vanish entirely

The title of David Stubbs’s book is a nod to comedy’s current crisis.

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