Deborah Ross

Should be called Ken: Barbie reviewed

Greta Gerwig’s new film is highly entertaining but Ryan Gosling’s Ken is the real star

Margot Robbie is perfect visually as Barbie but Ryan Gosling brings some real vulnerability and heft to poor gelded Ken. Courtesy of Warner Bros. Pictures  
issue 22 July 2023

Finally, the Barbie film is here, for which we must be thankful, as the tsunami of pre-publicity meant you probably felt obliged to lock your bathroom door so the trailers didn’t follow you in there.

They should have called this Ken but I guess that’s not going to help bring down the patriarchy

It’s a film that wants to have it all ways. Let’s parody Barbie but also isn’t she a feminist? There’s of lot of zeitgeist appeasement going on here. But the production values are sensational and there are some excellent jokes, even if Ryan Gosling’s Ken leaves Margot Robbie’s Barbie standing. They should have called this Ken, but I guess that’s not going to help bring down the patriarchy.

This is the first project from Mattel Films, the toy company that hopes to create a cinematic universe like Marvel. It currently has several films in development, including a Polly Pocket one, and I’m already fearing what the marketing people will do.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in