A question posed early on in Mark Cousins’s book is bound to spur a reviewer’s pride: ‘Who are Griffith, Dovzhenko, Keaton, Ozu, Riefenstahl, Ford, Toland, Welles, Bergman, Truffaut, Ouedraogo, Cissé, Dulac, Chahine, Imamura, Fassbinder, Akerman, Scorsese, Almod
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