Richard Bratby

Shiny, raunchy, heartless spectacular: Platée, at Garsington, reviewed

Plus: at the Royal Opera House's production of Andrea Chénier, the audience went wild, repeatedly

Samuel Boden is both endearingly goofy and insufferably smug as the aspirational bog-nymph Platée. Image: Clive Barda 
issue 08 June 2024

Fast times on Mount Olympus. Jupiter has been shagging around again and now his wife Juno has bailed on their hit reality show Jupiter & Juno, storming off set in a thundercloud of gold lamé and wheeled luggage. The producers are freaking out. Production runners scamper in all directions until Bacchus sends out to Starbucks and they all sit down to brainstorm a route out of ratings Hades. Meanwhile the luxury villa lies silent, its jacuzzi empty and the fake grass scattered with cardboard coffee trays. Cupid, it turns out, might have a plan – she knows a wannabe called Platée and, hilariously, she’s a total minger.

Garsington’s new Platée is Greco-Roman mythology restaged as Celebrity Love Island

And that’s just the prologue. We haven’t even reached Act One of Garsington’s new production of Rameau’s Platée, but you get the picture. It’s Greco-Roman mythology restaged as Celebrity Love Island, and this being Garsington, Louisa Muller’s production drips with bling.

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