Harry Mount

‘She had no neutral gear’: Lindy Dufferin remembered

Harry Mount on his remarkable godmother, the Marchioness of Dufferin and Ava: art collector, painter and connoisseur of cows

‘Lindy Dufferin’, 1966, by David Hockney. © david hockney 
issue 05 August 2023

In 1957, when my dear godmother, the Marchioness of Dufferin and Ava (1941-2020), was 16, she began her diary. The granddaughter of the Duke of Rutland and daughter of Loel Guinness, an MP, financier and Battle of Britain pilot, Lindy Dufferin had a gilded childhood. Her entries as a teen are like no other: ‘Randolph Churchill [Winston’s son] was staying the night here… It was most embarrassing because Randolph was very drunk…’ In October 1957, she was in Paris: ‘The Dutchess [sic] of Windsor came… I did a show of Rock & Roll. It was all great fun. Bon Soir!’

But, amid all the luxury, a note of seriousness enters – there was art, too.

Clandeboye became a kernel of art, literature and music. Vikram Seth stayed. Robert Lowell gave a recital

That autumn, she went to stay with her mother in Coughton, Warwickshire. There the artist Paul Maze (1887-1979), an Anglo-French painter known as ‘the last of the post-impressionists’, came to stay.

Written by
Harry Mount

Harry Mount is editor of The Oldie and author of How England Made the English (Penguin) and Et Tu, Brute? The Best Latin Lines Ever (Bloomsbury)

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