Caroline Crampton

She didn’t go quietly: Caroline Norton’s campaign for married women’s rights

The 19th-century novelist who fought her husband for custody of her children and the right to her literary earnings is the subject of Antonia Fraser’s new biography

Engraving of Caroline Norton at the end of her life, having finally won ownership of her literary works. [Getty Images] 
issue 17 July 2021

When Caroline Sheridan married George Chapple Norton in 1827 she ceased to exist. According to the legal status quo, as a wife she no longer had any rights separate to her husband. He could abuse her, claim her work as his own, spend her earnings and prevent her from seeing their children — and still be on the right side of the law.

The Case of the Married Woman is the third book in Antonia Fraser’s unofficial trilogy about the major legal upheavals of the 19th century. The previous two volumes have dealt with the Roman Catholic Relief Act of 1829 and the Reform Act of 1832 — both turning points in the understanding of individual rights. This volume is necessarily more diffuse, since Caroline Norton’s campaigning for the rights of married women resulted in more incremental changes.

Caroline was the granddaughter of the Irish playwright Richard Brinsley Sheridan and the middle of three sisters celebrated across London as the ‘three graces’.

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