Here’s something that continues to perplex me.
Here’s something that continues to perplex me. How is it that the best of American cinema and theatre is so often simultaneously sharp, sophisticated — and trite?
I’ve just been to see a tremendous new play at the Almeida in Islington, whose run ends this week. Becky Shaw has been a hit on Broadway and has enjoyed instant appeal in London too. It certainly appealed to me. Gina Gionfriddo has written a mordant, mostly cruel comedy of modern American manners, and the action and the repartee rattle along, intense, quickfire and merciless, with a brutality that leaves you breathless.
This is not a theatre review, so suffice it to say that every one of the small cast is superb; and that it’s a story of family schism and family feeling, love, sex, money, marriage, dependency, psychosis and rejection.
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