‘It is shocking to read about. But once you are used to it, it is a little like reading about Ireland, or socialism.’ This is the accepting, if unfeeling, response of John Addington’s undergraduate daughter after reading his recently completed book on homosexuality. ‘It is a very rational argument, Papa.’
The New Life, Tom Crewe’s superb debut novel, is set in fin-de-siècle London and follows Addington and his co-author Henry Ellis (based on John Addington Symonds and Havelock Ellis) as they try to make a rational argument for ‘the impossible subject’. They are respected writers and family men, but each is burdened by an unacceptable private life: Addington has brought a young man to live in his home; Ellis’s wife has moved away to be with another woman. Life under the current laws is impossible: it is time for change. Bravely, they resolve to write a book, certain that if the arguments are sound and the suppositions good, then the ‘wheels of progress will turn’.
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