Andrew Lambirth

Self styled

<strong>Whitechapel at War: Isaac Rosenberg and his circle</strong><br /> <em>Ben Uri Gallery, 108a Boundary Road. London NW8, until 8 June</em>

issue 26 April 2008

Whitechapel at War: Isaac Rosenberg and his circle
Ben Uri Gallery, 108a Boundary Road. London NW8, until 8 June

It seems that Isaac Rosenberg thought of himself as a poet rather than as a painter, but that is to undervalue his distinct dual contribution as an artist. Although he exhibited little in his short lifetime, he trained at the Slade and was actually an artist–poet in the English Romantic tradition of William Blake. Remarkably, this is the first exhibition to examine his achievement solely as a painter in the context of his peers. Although there is not a great deal to see, the quality of the work assures Rosenberg’s place in the pantheon. The show is the sixth in a series organised by the Ben Uri to explore the lives and careers of London-based Jewish artists born, raised or working in the East End in the first three decades of the 20th century.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in