Bruce Anderson

Secrets of Sicily

An island of myths and wonders

Roger’s version: the mosaic of Christ Pantokrator in Cefalù cathedral [Getty Images/Shutterstock/iStock/Alamy] 
issue 05 April 2014

Western Sicily has been a crucible of aspiration and grandeur: the human condition at its most exalted: unsurpassable art and architecture. It started in the Greek era. Sicilian agriculture produced abundance. Trade with north Africa turned Demeter’s bounty into gold. With this wealth, Greek colonists built the temple cities of Selinunte and Agrigento, plus other glories such as the temple at Segesta. The modern traveller, seeing only harmony, might assume that the ancient inhabitants must have been uniquely blessed. In earlier generations, the best preserved temple in Agrigento was known as the Temple of Concord.

This was an error. That was not its name and there never was much concord. Empedocles of Agrigento claimed that mankind was governed by the twin forces of love and strife. In Sicily, strife was usually in the ascendant. Wealth aroused envy, and almost constant warfare.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in