Neil Armstrong

Screen grab

Power is ebbing from the once-mighty BBC drama department to the likes of Netflix. But Is it terminal?  Neil Armstrong has the inside story

issue 26 November 2016

St James’s Palace. 1953. A dynamic Duke of Edinburgh is relishing a ding-dong with the antediluvian fossils of the Coronation Committee. He wants to embrace modernity by allowing the BBC to televise the ceremony. The ‘grey old men’ want to continue doing things in exactly the same way that they have been done since 1066. Modernity prevails and the coronation is the biggest television spectacular there has been.

This episode, splendidly recreated with a little artistic licence in The Crown, Netflix’s epic about the Queen, was a tipping point in terms of the public’s acceptance of the medium of television. Many viewers acquired their first sets for the sole purpose of watching the coronation.

Now, in the television world, the wind of change is rising again. We might come to regard The Crown itself as another tipping point: marking the watershed moment when power began to ebb from the once-mighty BBC drama department to young pretenders such as Netflix and Amazon.

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