An iconoclastic spirit has swept much of Britain’s institutions over the past two years. Just last month Mr S revealed that a painting of a fictitious scene from the American Civil War had been removed from Liverpool University’s library, despite it having hung there for decades. And it seems the university is not alone in its efforts, with Steerpike discovering that London’s Science Museum has removed no fewer than eight exhibits for historical or political insensitivity reasons.
Among the items are three objects from the vast collection of pharmaceutical entrepreneur Henry Wellcome, including two nineteenth century slave whips and a German man-catcher which pulled riders off horseback. All were removed after curatorial work uncovered that their provenance was uncertain, with the museum also claiming that the way they were displayed did not enable any contextualisation of the items.
The other items were five model boats.
Britain’s best politics newsletters
You get two free articles each week when you sign up to The Spectator’s emails.
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in