Lloyd Evans Lloyd Evans

Schiller’s killer Miller

I bumped into a restoration expert last week. ‘What’s new in heritage these days?’ I asked him. ‘Oh, same old, same old,’ he told me.

issue 25 June 2011

I bumped into a restoration expert last week. ‘What’s new in heritage these days?’ I asked him. ‘Oh, same old, same old,’ he told me.

I bumped into a restoration expert last week. ‘What’s new in heritage these days?’ I asked him. ‘Oh, same old, same old,’ he told me. In similar vein, London has been enjoying a spate of classic revivals on stage. At the Donmar a production of Schiller’s Kabale und Liebe (Intrigue and Love) has been barmily retitled Luise Miller. This promotes a minor character to the protagonist’s role. It incorrectly suggests the atmosphere of Romford roundabouts and roaring hen parties. And it echoes the author’s name too so you can’t write ‘Luise Miller by Schiller’ without having to delete and think again.

Happily, the production, designed with tremendous panache by Peter McKintosh, is a treasure.

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