A French creole restaurant rises in the sullen ruins of London. It is called Louie, for French king or trumpeter, depending on your wish. It is next to the Ivy — now a private members’ club and franchise stretching to the London suburbs bearing small bowls of shepherd’s pie — and it is infinitely preferable. That is, I can get a table, and no pastiche medieval windows or tabloid photographers are involved. It’s a terrible thing being jostled into a gutter so someone can photograph the former cast of Crossroads. The Ivy is the Love Island of grand restaurants. It is for the spuriously famous, which is now everyone. The zeitgeist cries: we’re going to need a bigger Ivy. Or at least it used to. Louie is a small, golden rebuke.
It lives in a blackened -Victorian rookery — ah, gentrification! — and it opened with great misfortune: after the first lockdown and into the wasteland that used to be Theatreland.
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