Ho hum. Bit icky. Not bad. Hardly dazzling. The lukewarm response to An Audience With Jimmy Savile has astonished me. This is the best docudrama I’ve seen on stage. From the early 1970s, Britain swooned before Savile. Marketing pollsters found him the country’s best-loved celeb (bar the Queen Mum). He enforced his influence by winning over several establishments at once, the royals, the Beeb, the NHS, the media, the charity sector, Westminster. Evidence of his criminality existed but it never affected his reputation. He’s the nearest we’ve come to Hitler.
The show takes the format of a TV biography which is intercut with scenes from Savile’s early life and testimony from his victims. Alistair McGowan’s ownership of Savile’s persona is astounding. The gestures, the mannerisms, the voice and the accent have been studied and replicated with meticulous precision. Jonathan Maitland’s script performs a similar job with Savile’s distinctive mix of self-deprecating gags and folksy rhetoric.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in