Stuart Jeffries

Saudi Arabia’s burgeoning art scene

The Crown Prince hopes to transform a cultural dustbowl into a jewel in the Arabian crown and sanitise a country known for oil and oppression

Where the desert can admire its own reflection: the world’s largest mirrored building, the Maraya cultural centre in Al-’Ula, home to a concert hall and the exhibition What Lies Within. Credit: Tuul and Bruno Morandi / Alamy Stock Photo 
issue 05 March 2022

A little more than a century ago, a charismatic British army captain called T.E. Lawrence and fearsome Bedouin warriors swept through the sublime canyons around the desert city of Al-’Ula where I stroll today. They blew up the Hejaz railway, built to transport hajjis from Damascus towards Mecca but repurposed during the first world war by Turks to ferry munitions and troops. Such was the 1916-18 Arab Revolt that threw off Arabia’s Ottoman yoke.

Today a very different kind of Arab uprising is sweeping through Al-’Ula. The canyons resonate not with bombs but with art. Dubai-based Zeinab Alhashemi has constructed boulders made from camel hides for a piece called ‘Camouflage 2.0’. Fitting since the Quran mentions Al-’Ula as the miraculous site where a she-camel was summoned from rock by the prophet Saleh as a sign to pagan locals from Allah. Ramallah-based Khalil Rabah, meanwhile, has planted a square orchard of olive trees in the pitiless desert.

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