I am in San Francisco where I began an American theatrical adventure ten years ago. It is a beautiful and stylish town but it is impossible to enjoy a stroll in the city centre without being pestered by beggars. Not seldom hostile, these pungent tatterdemalions seem to be accepted by the locals as though they existed, like the cable cars, Alcatraz and the Golden Gate Bridge, in order to lend their city its special identity, as did the flower children of the Sixties.
During the big sales last week, the walk from Saks to Neimen Markus was like struggling through a crowd scene in Les Misérables. Marie Antoinette populated her park with faux milk maids, shepherds and picturesque peasants, and a whimsical 18th-century grandee — was it Beckford? — liked to decorate his estate with peasants, banditti and beggars who would slip into their habiliments before dawn, and take up their assigned positions in grottos and follies.
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