Andrew Lambirth

Samuel Courtauld’s great collection

‘Bathers at Tahiti’, 1897, by Paul Gauguin. © Trustees of the Barber Institute of Fine Arts, University of Birmingham 
issue 10 August 2013

In 1929, Samuel Courtauld owned the most important collection of works by Paul Gauguin in England: five paintings, ten woodcuts and a sculpture. He subsequently sold two of the paintings, but for this show the gallery that bears Courtauld’s name has borrowed them back. One of them is the very beautiful ‘Martinique Landscape’ (1887), now owned by the National Galleries of Scotland, in which colour and pattern lock together in the most subtle and satisfying way. Even the rather startling turquoise with which the gallery’s walls have been painted cannot distract from its powerful presence.

The other great painting here is supposedly ‘The Dream’, which Roger Fry declared was ‘the masterpiece of Gauguin’. The best bit of this painting is the landscape through the window: I find the figures rather sullen. Much more interesting is ‘Nevermore’, a deeply sensual and moody painting that the National Gallery passed up the chance of buying.

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