Decades after its inclusion in the Hippie Trail, Afghanistan is again open to tourism, according to the Taliban’s spokesman Zabihullah Mujahid. It is perhaps a source of regret for the group that the 6th-century Buddhas of Bamiyan are missing in action. They were blown up in 2001 either, depending on who you ask, because of Islam’s strict beliefs on anti-idolatry or to punish the West for offering money to preserve them rather than give aid to starving children.
The war rugs, depicting camels and flowers alongside rocket launchers, are striking and jarring
While the country continues to export fruit, nuts and insect resins – opium production was massively scaled back by the Taliban – Afghanistan is justly famous for its woven rugs. War rugs are a curiosity within this craft, fusing traditional weaving with military motifs: bombs, tanks, grenades, helicopters and, more recently, drones. They’re not a new phenomenon. The rugs began appearing after the Soviet invasion of Afghanistan in 1979, which precipitated the protracted, decade-long conflict between the US-backed Mujahideen and the communists that saw millions of Afghans killed and displaced.
In a tiny corner of a large gallery in the British Museum is a perfectly formed display of several Afghan war rugs, accompanied by, among other things, the tools of the rug trade, mosaic fragments, plus a medal and chapan cloak that once belonged to former president Hamid Karzai. The rich influence of Persian poetry, art and myth, such as Firdausi’s Shahnama (‘Book of Kings’), on this land-locked and ethnically diverse country, is noted.
The war rugs, depicting camels and flowers (including opium poppies), alongside motorised vehicles and rocket launchers, are striking, jarring and alluring.

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