Ceci Browning

Sabrina Carpenter isn’t an industry plant – she’s worse

The singer is a symptom of a larger problem

  • From Spectator Life
Sabrina Carpenter playing at Coachella (Getty)

Sabrina Carpenter first emerged in 2014 as a child actress on the Disney Channel. From there, she signed with a record label, becoming yet another entertainer to take advantage of the tween-TV-to-music-charts pipeline (see Miley Cyrus, Ariana Grande, Selena Gomez et al). Ten years and five average albums later, she was known only to a few teenage girls, but over the last few months this has changed. The 25-year-old is now everywhere: music videos, magazine covers, billboards, chat show sofas and, of course, Instagram and TikTok. If you’re under the age of 30, you can’t escape Carpenter. 

Hers is music that adopts the principles of the advertising ditty

Her newfound stardom can be partly explained by her role as the warm-up act on Taylor Swift’s international tour, but among my friends there are whispers of a more sinister scheme. A heated debate has broken out over whether Spotify’s autoplay feature has been feeding Carpenter’s hits to unwitting, even unwilling, ears.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in