Ismene Brown

Russians made the theatre space the most liberating imaginative device ever invented

Ismene Brown falls for Aelita, Queen of the Martians, and her three-cupped metallic bra at the V&A

issue 01 November 2014

You have to hand it to the Russians. They beat us into space, beat us to sexual equality, and a small display of early Soviet avant-garde theatre and film design, tucked away in the V&A’s ‘Performance’ area, proves that they beat us hollow in matters of the dressing-up box too. When you arrive (that is, if you arrive — it is a labyrinthine trek to find it) at Russian Avant-Garde Theatre, you should make straight for the little screen. It shows the amazing 1924 sci-fi film Aelita, in which an engineer living under ‘Military Communism’ builds a spaceship and flies to Mars where he falls for Aelita, Queen of Martians.

I checked when Perspex and Lurex were invented — 1934 and 1946 — and shook my head in disbelief, for the fabulous young designer, Alexandra Exter, created costumes that must therefore come from far in the future. Sci-fi meets art nouveau via constructivism.

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