Peter Pomerantsev

Russian memoirs are prone to a particular form of angst

As they pass from one tragedy to another and their past is repeatedly obliterated, Russians feel a special need to preserve family memories, says Maria Stepanova

Maria Stepanova. Credit: Alamy 
issue 29 May 2021

Perhaps the secret to understanding Russian history lies in its grammar: it lacks a pluperfect tense. In Latin, English and German the pluperfect describes actions completely completed at a definite point in the past… Early Russian had such a tense, but it was erased. This grammatical lack costs its speakers dear. Russian history never becomes history. Like a stubborn page in a new book, it refuses to turn over.

Thus wrote the Soviet dissident and writer Igor Pomerantsev, my father, during his exile in London in the 1980s. When I returned to Russia in the 2000s I had the sense that beneath the Potemkin democratic veneer, Putin’s Russia was actually a case of history repeating, and retrod my parents’ route back to England. Today, Russian dissidents are again being locked up, just as they were in my father’s youth. Russia seems stuck in an endless past imperfect.

I kept on thinking back to the plu-perfect as I wandered blissfully around Maria Stepanova’s In Memory of Memory.

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