Almost as soon as Siberia was first colonised by Cossack conquistadors in the 17th century, it became a place of banishment and punishment. As early as the 1690s the Russian state began to use Siberia as a dumping ground for its criminals, as though its vastness could quarantine evil. Katorga — from the Greek word for galley — was the judicial term for a penal sentence where inmates performed hard labour in the service of the state. The sentence was commonly imposed in place of death from the reign of Peter the Great onwards. And in many ways Siberia truly was a House of the Dead — as Daniel Beer, who borrows the title of Fyodor Dostoevsky’s prison novel for his masterful new study, recounts in horrific and gripping detail.
In a letter to his brother, Dostoevsky described his own five years as a political prisoner in Siberia as a ‘ceaseless, merciless assault on my soul… eternal hostility and bickering all around, cursing, cries, din, uproar’. Dostoevsky had initially been sentenced to death and was reprieved only as he and his fellow members of the liberal Petrashevsky Circle stood before a firing squad. The experience was to shape his life — not least because katorga had shown Dostoevsky the beast in man.
‘Whoever has experienced the power and the unrestrained ability to humiliate another human being automatically loses his own sensations,’ he wrote in The House of the Dead. ‘Tyranny is a habit; it has its own organic life; it develops finally into a disease… Blood and power intoxicate.’
But for every banished high-profile radical like Dostoevsky, thousands of unknown common criminals and their families were marched off to Siberia and into oblivion. Beer uses police reports, petitions, court records and official correspondence ‘stitched into bundles and filed away in rough cardboard folders’ to tell their story.
Exile, like transportation, its British judicial equivalent, was a deliberate act of expulsion of poison from the body politic.

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