Lloyd Evans Lloyd Evans

RSC’s Merchant of Venice is full of puzzling ornaments and accents

Plus: why I’ll be declining an invitation to see Rush when it returns to the theatre

Brian Protheroe delivers a masterclass in in rock-stadium swagger as Aragon in RSC's otherwise obscure Merchant of Venice 
issue 25 July 2020

The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade is God.’ The RSC, which staged the show in 2015, calls it ‘a thrilling, contemporary interpretation’.

Each element in Polly Findlay’s production looks fine. Jacob Fortune-Lloyd and Patsy Ferran (Bassanio and Portia) are as cute as a pair of Love Island hotties. But the costumes are hard to decipher and they seem attached to no particular era. Most of the characters wear chic, well-tailored outfits except for Antonio (Jamie Ballard) who sports a T-shirt and seems close to tears most of the time. He and Bassanio are presented as openly gay even though this weakens the character of Portia. She sees her future husband kissing Antonio on the lips in public and yet she never questions him about this conflict of interest. Shylock is even more puzzling. The cast all speak in standard Home Counties English but Makram J.

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