Julie Burchill

Rock’n’romance is dead

Great love affairs between bandmates are the product of a different time

  • From Spectator Life
Fleetwood Mac (from left, Stevie Nicks, Lindsey Buckingham, Christine McVie, John McVie and Mick Fleetwood) in September 1977 [Getty Images]

The alchemy wrought by a young man’s ability to gyrate and croon at the same time is notorious, turning shy mama’s boys from Presley to Rotten into love/hate machines. Something magical happens when someone – however unsightly – sings a song well, allowing him access to a quantity and quality of women undreamt of when he was just walking and talking like a normie. Two words: ‘Mick’ and ‘Hucknall’.

The romantic image of the modern musician as tasty but troubled troubadour roving from town to town on his lonesome (except for his bandmates, backing singers, roadies, drug dealer and manager, of course) and taking sensual solace where he may is a powerful one, long propagated by he-sluts who would be intimate with a jack-in-the-box if it looked at them the right way. But there is another sexual cliche which musicians go in for when the ceaseless sexual smorgasbord causes a bilious attack and they think that they might want to set up something a little more a la carte.

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