At Longborough Festival Opera, Richard Wagner is on the roof. Literally: his statue stands on top of the little pink opera house, surveying the Evenlode valley from beneath a stone beret. He’s not alone, mind. A figure of Mozart looks up indignantly. On the other side of the pediment stands Verdi, arms folded, glowering huffily at the floor. But Wagner is on top: a permanent reminder that this is the company that took on the greatest musical-dramatic challenge in the operatic universe, and in 2013 staged a full production of Der Ring des Nibelungen in a converted barn.
And next week, they’re going to start all over again. The 2019 Festival opens with Das Rheingold, with a full cycle scheduled for 2023, the year that the company’s irrepressible founder Martin Graham turns 80. It’s a brand-new production: LFO isn’t the kind of outfit that can afford to maintain warehouses full of mothballed sets.
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