Daniel Hahn

Riddles in the sand

According to the distinguished Egyptologist Susan Brind Morrow, the famous pyramid texts are more poetic — if simpler — than previously thought

issue 06 February 2016

When the Saqqara pyramids were opened in 1880, the chamber walls were found to be covered in hieroglyphic writings, and these texts have been a subject of discussion among Egyptologists ever since. What do they mean? What do they represent? What do they tell us about the religion or the cosmology or the worldview of a culture that can sometimes seem incomprehensibly far from our own?

Taking issue with the scholars that have come before her, Susan Brind Morrow uses this fascinating, challenging book to demonstrate her view that the message on the walls is poetic, timelessly meaningful and sophisticated. Part of her thesis involves simply stripping away the long-held assumption that there must be a mythology behind what is written, suggesting rather that what we’re seeing instead is poetic metaphor (that ‘silver eye’ of the title is the moon, of course). And sometimes, when you’ve cast aside your mythological obsessions, a literal reading might make more sense.

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