Laura Freeman Laura Freeman

Rich and strange: Eileen Agar at Whitechapel Gallery reviewed

The overlooked surrealist's exuberance bursts forth in drawing and collage, painting and curious assemblage

Rich and strange: ‘Erotic Landscape’, 1942, by Eileen Agar. © Estate of Eileen Agar/Bridgeman Images Photograph courtesy Pallant House Gallery, Chichester © Doug Atfield 
issue 31 July 2021

Heads turn, strangers gawp, matrons tut or look in envy. A man doffs his bowler hat knowing when he is outdone. The model walking imperturbably along a London street is Eileen Agar, her headwear the ‘Ceremonial Hat for Eating Bouillabaisse’, encrusted with crustaceans, spangled with starfish. If the Little Mermaid,in her leggy period, had been invited to Ascot, she might have worn something like this. A British Pathé newsreel of Agar wearing the same hat plays on a loop in the Eileen Agar: Angel of Anarchy exhibition at the Whitechapel Gallery. (You can also see it on YouTube.) About 50 seconds in you catch her trying not to smile.

‘Life’s meaning is lost without the spirit of play,’ Agar wrote in one of her notebooks. ‘In play all that is gay, lovely and soaring in the human spirit strives to find expression. To play is to yield oneself to a kind of magic.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in