F.R. Leavis once denounced the Twickenham edition of Pope’s Dunciad for producing a meagre trickle of text through a desert of apparatus, the trickle sometimes disappearing altogether. In this volume of T. S. Eliot’s letters, from 1932–1933, the footnotes, the infantry and the grunts, are the stars — shooting stars, flares with flair, illuminating apparently unpromising basic materials.
For example, this is a letter to Auden in April 1932 in all its Spartan amplitude:
Dear Auden, The modifications of the few passages which I discussed with you the other day have been agreed upon. As for the preface I felt myself from the beginning that it was not really desirable and I find my own opinion confirmed by two other directors who feel as I do that there is no need to apologise for obscurity. I hope to send you a copy of page proof before long. Yours ever, T S Eliot.
About as enlivening as an epidural.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in