Matthew Richardson

Revolutionary literature

The book world has been abuzz with the Arabic Booker. High-quality fiction is connecting with political conflict and the convulsions in the Middle East have revealed a literary culture often closed to the West. Boyd Tonkin describes how the ceremony itself was infected by the surrounding political drama:

‘Yet even here, under the obligatory tank-sized chandeliers of a hotel ballroom and with local dignitaries aplenty in the audience, the unsettling new realities could hardly be left outside. Whenever a speaker mentioned the Arab democratic spring, a gunshot crackle of applause rippled through the hall.’

Formal innovation has played its part too, with the novel finally coming to prominence in the Arab world. As Michael Binyon puts it in the Times (£):

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