Alasdair Palmer

Restoration tragedy

Alasdair Palmer questions the ill-conceived makeover of Chartres cathedral which robs us of the sense of passing time that is part of its fascination and mystery

issue 12 May 2012

Alasdair Palmer questions the ill-conceived makeover of Chartres cathedral which robs us of the sense of passing time that is part of its fascination and mystery

Should old buildings look old? Or should they be restored to a condition where they look as if they could have been put up yesterday? Those questions are raised in a particularly pertinent form by the work going on at one of the most beautiful and inspiring of all old buildings: Chartres cathedral in France.

Most of Chartres cathedral dates from between 1194 and 1230, when the bulk of the colossal stone structure, with its nearly 200 stained-glass windows and thousands of sculptures, was built. The extraordinary speed of its construction means that Chartres has an architectural and decorative unity that is unique among surviving cathedrals, most of which took a hundred years or more to complete, and were then altered drastically over the succeeding centuries.

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