Christopher Bray

Restless visionary: Man Ray was always ahead of his time

The surrealist argued at the start of the 20th century that perspectival illusionism was over and that the artist’s duty was to the flatness of his canvas

Man Ray posing with some of his works in Paris in 1970. [Getty Images] 
issue 08 January 2022

In the summer of 1940, after almost 20 years in Paris, Man Ray fled the Nazis for the country of his birth. Disliking New York, where he’d spent his youth, he made for the West Coast. He hoped to get as far as Tahiti or Hawaii. But his trip came to an end when, braced by the space, lifted by the lack of skyscrapers (‘made me feel taller’) and swept off his feet by a dancing girl (the latest in a long line of hoofers for whom he’d have the hots), he settled in Los Angeles. Though he would live there for more than decade, he never really liked the place.

Nonetheless, he was far more productive in America than in Europe. In his brisk, almost pointillist biography for Yale’s ‘Jewish Lives’ series, Arthur Lubow estimates that Ray’s work rate tripled in America. Not that the work came easy. Ray disliked what everyone else loves about California: the light.

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