Two weeks ago, quite a few of us in London were at a religious occasion. On the face of it, this was unsurprising since it was just before Christmas. But few competing religious occasions would have had this one’s air of reverence. It was the first night of the first part of what will become a new production of Wagner’s Ring at Covent Garden.
Many of us arrived early just so that we could stand around and experience the mass expectation. Over the throng in the bars there was a sense that we were about to be admitted to something sacred. The seats had sold out within hours of going on sale months before. The sense of occasion was all around us. What would the production be like? What would be its ‘concept’?
At least two MPs were in the congregation, as well as conductors, singers and theatre directors, and the usual captains of industry — and captains of idleness.
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