Lloyd Evans Lloyd Evans

Strangely absorbing: the first lockdown dramas reviewed

Plus: RSC’s Twelfth Night, which is being livestreamed on Marquee TV, is a strikingly handsome show

Yellow peril: Adrian Edmondson as Malvolio, in an unMalvolian outfit. Photo: Manuel Harlan/RSC 
issue 18 April 2020

High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the Time of Corona, made up of five filmed reflections on self-isolation. ‘Rainbows’ by Morgan Lloyd Malcolm is narrated by a woman on the edge teaching her kids to decorate the windows with coloured paints. ‘Child Two is crying and Child One is giving me the finger.’ Outside, as she takes a photograph, she suffers an anxiety attack. ‘The gurgling panic in the base of my gut, the pain in my chest. Not virus, all fear.’ She decides to flee. But will her children survive without her? Convincingly performed by Katie Lyons, this is a simple, well-made tale with a dilemma, a turning point and a resolution.

‘Bedlam Before The Burnout’ by Aisha Zia is set in late July 2020. We’re in London and a young woman (Jade Anouka) is looking back after spending the spring and summer hiding from a virus she regards as a personal inconvenience.

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